K-pop, society, and everything in between.

CALLING ALL K-POP FANS!
Petition for Infinite and Woollim Entertainment to cancel concert screenings and plans for release of "Inconvenient Truth": an awareness campaign for misogyny and rape culture
➔ BREAKDOWN OF "INCONVENIENT TRUTH"
➔ OPEN LETTER TO INFINITE & WOOLLIM
➔ BE A SIGNATORY & SPREAD THE WORD!
➔ UNSURE? VIEWS AGAINST THE PETITION

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FEATURES/SERIES
Academic articles on K-pop & the Hallyu
"AKF in Korea" series
사생 (sasaeng) fans series
The Block B files

ROUNDTABLE
Celebrity sightings, fan meets and the epistemology of K-pop idols: What do we know and how do we know?
K-pop fan-fiction: Thoughts by readers and writers

EXCLUSIVE INTERVIEWS
STAZ OF MAN
Blud Bruthaz

IN THE MEDIA
"You can thank Google for your new obsession" (CNN Geek Out)
"When fans go too far" (CNN Geek Out)

SELECTED POSTS
K-pop fanart & fanfiction
Block B and media misrepresentation
Being branded as a 'K-pop fan'
Regulation & the KMRB's new policy
Fan behavior and decorum
"Plus size" in Korea
SNL Korea does blackface
Politics and Korean hiphop
Don't want to get AIDS? Masturbate!
"Skinny Baby" NOT hot
"Unwed mothers are ignorant whores"?
Shipping, fanfictions, and smut
"Getting an Abortion in South Korea"
South Korea's education system
Tablo, TaJinYo, and the implications of celebrity obsession
Jay Park, JYJ, and other issues that make you think twice about being a K-pop consumer
Block B and cultural silencing
Beauty standards and how idols propagate them
The multiple ventures of an idol
Korean indie vs. K-pop
Block B's comeback in a post-controversy framework
Idols tweeting about private matters
▪ The mentality of idol hopefuls [1] [2]
▪ Jay Park and being 'gangsta' in K-pop [1] [2] [3]
▪ Pursuing idoldom: AKF's advice [1] [2]
Shipping idols of the same sex
The role of visuals in K-pop
Can non-Asians make it in K-pop?
BEAST's 'racist' New York casting call?
Cultural insensitivity plagues K-pop
▪ English in K-pop songs [1] [2]
How 'Asian' are the MAMAs?
Thoughts on fan service
Plastic surgery: achieving 'natural' via unnatural means?
"National prestige" and the Hallyu Wave
Government takes action for sexual exploitation in K-pop?
Cracking down hagwons & education reform
The irony of the 'ethnic diversity' gimmick
BEAST & 4-Minute tells us not to watch porn?
The "Paradox of Korean Globalization" and K-pop
Japanese actor Sousuke Takaoka's "xenophobia" towards Hallyu?
Songs by BEAST, Jay Park, etc. banned
The "plight" of KoreAm idols?
Dalmatian's Daniel imitating accents: funny or "racist"?
What exactly makes K-pop "K-pop"?
Why "K-pop Secrets" sorta piss me off

SEE MORE POSTS →

CONTACT
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DISCLAIMER
The name and the concept was inspired by Angry Asian Man and The Angry Black Woman. In my posts, I cite my sources accordingly. All images I include are not mine. None of the gifs are mine. Nope, not even that green fan. Credits go to their original owners. Someone please make me a less artistically-deficient banner.

Creative Commons License
Angry K-pop Fan's literary work is licensed under a Creative Commons Attribution 3.0 Unported License.

(Venting since March 2011)
Recent Tweets @angrykpopfan

radio-palava:

angrykpopfan:

Anonymous:

Hey, my fav. kpop blogger! So recently a certain senior from a popular boy band (SS501) tweeted (or rather subtweeted) about a junior of his because he felt disrespected that they didn’t bother bowing to him. I realize, since it’s Korea, how great of an insult that must have been to him, seeing as he has been in the industry longer and not to mention he’s an elder, and I don’t personally defend the second group’s actions. I don’t follow either groups, but I can’t help but cringe at it. However at the same time, the whole idols outing idols via twitter brings back bad memories (BBC here, and no I’m not letting that cloud my judgement…I promise!) Knowing the effect netizens have on an idols career, this won’t end well. Many idols have taken it twitter with similar situations about dongsaengs.

Q: Do you think it’s constructive or destructive? Is it fair? Does the idol’s intention justify it? Let me know what you think, B (: Thanks

AKF» Hiiiiiiii :) Thanks for your message!

I’ve always had a problem with this; or rather, I have a problem with people publicly disclosing matters that ought to stay private. It’s probably a pet peeve more than anything though, but I strongly believe it’s both destructive and unfair, regardless of the idol’s intention.

It of course depends on what the private matter is, but if it’s a personal problem - something that is a problem only in the context between certain individuals - it merely becomes aggravated when “irrelevant others” are pulled into the situation. This happens when it is disclosed to a mass audience via a Twitter update or Facebook status. (And if we continue working with the broad theme of “publicizing private matters,” we can even include tabloid stories and public statements.) You are inviting opinions (from netizens) that are based on not only decontextualized perspectives, but on a single side of the story, and this is problematic for at least two reasons…

SEE REST OF: “TWITTER: WHERE IDOLS PUBLICIZE PRIVATE MATTERS” →

Yes and… Although I agree from my own personal standards of professionalism, I think the asker was right on to suggest that there is some deeply embedded culture at work here. From my view, this looks like a social face issue: When your junior doesn’t (refuses to? forgets to?) bow to you, you lose face. Taking the incident to Twitter is a way to regain face by establishing not only seniority but also social competence (“I know this person was supposed to show respect to me - and they didn’t. The fault is theirs”). If the sense of a warning is there, as AKF has suggested, I would argue that it is of secondary priority to saving face.

Twitter is also a way to call someone out without directly confronting them. In many Western cultures, it would be far more effective to have a private, direct conversation with the offending party. But that wouldn’t allow you to save face with the other people who saw or heard about you being humiliated. Twitter presents a less direct method to make up for the loss of face and to bring the junior back down to his level. Indirectness is valued in many cultures - in some cases, it establishes an “upper level” of social functioning that requires high competence (I’m thinking here of African American culture and the practice of signifying), and it also insulates participants against more serious conflict. Furthermore, it cements the senior as being socially “above” the junior - in other words, he is above getting into a fight or a verbal argument with the offender.

(What would be really awesome, though, is if this sort of incident actually sparked creativity, as some would argue that “beef” does in hiphop. Jay-Z vs. Nas feud, anyone? Of course, it can be argued that beef has a deadly downside. But nobody can deny that some dope rhymes came out of that beef…)

The dangerous thing about doing social censuring on Twitter, as AKF has pointed out, is that it’s kind of like using a sledgehammer in place of a scalpel. The collective censuring force of netizens is far greater than that of any private conversation the SS501 member could have had with the junior - and in this case, such force was probably unnecessary. This excessive force is also what blew up T-tanic into the hot mess that it became.

On the other hand, I actually think that Nichkhun’s tweet in response to the Block B incident was not inappropriate. He called out Block B for their actions (without naming them) and offered a simple correction to their behavior. “Show some courtesy to this country and display a proper attitude.” This was a way for Nichkhun as a person of Thai heritage to save face on behalf of those with whom he feels a connection by way of nationality. Since being Thai is not exactly celebrated in Korea, I think it was important for Nichkhun to publicly state that Koreans should not follow Block B’s example and expect to be able to treat Thai people disrespectfully. The correction then, was not just for Block B, but for others who might “get it twisted” as a result of Block B’s actions. So I don’t think Nichkhun used Twitter as a sledgehammer when he could have used a scalpel - I think he needed to make his point to the broader public. (Whether they received it that way is another story.)

All this to say: Should idols air their personal conflicts in public forums? By our standards, probably not. But I would hesitate to say that idols are not thinking before they tweet. Rather, I think their calculus is probably quite different from ours - both from a cultural perspective, which we would do well to attend to and question, and from an insider/outsider perspective. Right or wrong, we have ringside seats as this kind of “drama” unfolds and the benefit of an outsider view. But when you’re in the middle of it, having paid your dues and working so hard to stay relevant, and somebody disses you, I think the set of options you probably see is quite different from what we as dispassionate (well, more or less) observers see.